【EP01】刘天池怪诞训练专注度 丁禹兮变“重点辅导对象” | 演员十点半 FULL | I ACTOR | iQIYI慢综艺
You can do it. You can do it. I love it. I haven’t received special performance training. I haven’t received any special performance training. I think this show is a good opportunity to improve acting and train myself. The reason I want to come here is I think after I came here, I can learn a lot I can’t learn in school. I have to keep learning so that I can beat those who I think are better than me. And I heard Mr. Liu Tian Chi personally guided me. I really want to take Mr. Tian Chi’s class. In this group, it needs a relatively complete of the performance in one hour. Very strict. Push it down This way you can see the changes of an actor. Especially for a young actor. Time for class. Teacher Tian Chi You’re welcomed to me Have you chosen the monitor? Monitor. You are the leader. You are the leader. We have a study committee. Learning committee and art committee. One, two, three. One, two, three. One, two, three. A man and a woman. and the key tutor. Poverty students. Why? I’m not talented. Really? Come, step forward. Shout out your name. How poor is it? Come on. Step forward. My name is Ding Yuxi. I don’t have any talent. Okay. Okay. Come on. At this time. Everyone, please sit down. Come on. Come on. Come on. Come on. Out of the blue. Tell everyone what you just said. My name is Ding Yuxi. I don’t have any talent. I’m very poor. Please help me. And I’ll do my best. Will you help him? Yes. Come on. Stand up. Let’s go. Then you find someone to say Let’s see who thinks can affect you. you should get close to Ding Yu Xi. If you don’t feel what he said touched you, don’t come near him. Don’t walk around. Walk casually. Ding Yuxi, don’t grab it. Don’t use your hands. Just use yourself. Taek, I can’t do it. I can’t do it. I can’t do it. Really? I’m not in sync in class. I’m not in sync. Let’s go. Okay. Taek. [Taek! Taek!] Taek. [Taek! Taek!] A flower. Look at this. Look at this. Change different emotions There are seven people in total. Your seven requests change. Hwa-yi, please. Hua’er, don’t go. Wu Ruiyuan. Look at you. No one is willing to help you. Look at my popularity. It’s all for nothing. Can you help me? The worst thing in life is that no one is willing to help you. I believe you’re not cold class. Okay, stop. Don’t move. Look for these people with your eyes. and talk to them one by one. I’m a poor student. You may need to help my body. What else? Okay? Okay. He nodded. Speed up. Speed up. Next one. I’m a poor student. I need your help in my body, okay? Please. It’s like this. Okay. Brother Xun, please help me. I’m a poor student, Xun. Please help me. Come on. Okay, stand here. He nodded. You’re next. What did you introduce yourself to? I didn’t introduce myself. Come on. Come on. OK. Come on. Learning committee. When learning opera and vocal, I want to briefly introduce the opera You all know that opera is a comprehensive art. It includes four moves and five techniques. The four stances are singing and playing. Sing it It’s a melody. Read it. Read it. And then You need to do it. You need to do it. and his facial expressions. including his body language. And then, One, two, three. One, two, three. One, two, three. One, two, three, three. One, two, three, three. One, two, three, three, three. One, two, three, three, three. One, three, three, three, three, three. One, three, three, three. And then, you need to do it. You need to do it. You need to use your finger and eye movement. Step is the most basic Because your feet can move freely. That’s how you express emotions. Let’s start with the steps. Step. Let’s teach the round first. First, make your feet The tip of your feet seems to be wiped out. Keep it like a boat Understand? When you walk, the female horn requires half a step. Boys need one step. For example, if it’s a female horn, you may walk like this. Like this. Like someone is pushing you forward. Like this. Let’s practice in place. Then let’s go around, okay? Hook your feet. Step on it. Step again. Two. You need to feel every step you take is not. Step. Yes. Take the two boys with you. Then the girls follow behind. When boys walk, they will pinch their waist. Then girls After the orchid palm, Don’t go behind me. Come on. Come on. Speed is one aspect. Watch your step. Girls take half steps while boys take one step. Can you walk smaller? OK. Among all the training, is to focus. When your attention is burnt, your observation is not sharp enough, in the future, in the future, you can’t catch it. Because you can’t focus on it. So now I want you to with your stick. Then two fingers hold your stick and form a relationship with it. See how far you can take it. It can take you as far as you can. Don’t fall down. Okay. Look who’s holding it longer. You must move. If you are here, you must find a way your chair. Hey, you, move over here. Understand? Okay, ready. Keep breathing. Yes. Look, it’s hard. It means none of you is concentrated. Breathe. Again. Don’t bump into others. Oh my god. Good. Some can already control it. OK. Come on. Everyone, stand over there. Stand over there. Take it. Three in a group. Move the stick from there to here. Okay. The three of you have to keep the same pose. Okay, action. Take care of the one next to you. Okay, come here. The other three Zhajie is good. Let’s go back. One more time, He Derui. It’s rushing back. Then go with the girl later. Go back. Okay. Okay. Let’s go. Let’s go. Ma Hao is so stable. How can he be unstable with two fingers? He used two fingers. Use one finger. Two fingers. Two. I’ll use one. Two. He Derui came to a girl to see if you can finish it. Where are you going? You can’t do this. You have to pull it over steadily. It has to run. Come on. Do it by yourselves every day, OK? This is a cloud hand. And from the start, is like holding a ball. It’s round. Yes. For example, you can’t stick it like this. When you stand, This is a poem’s Zi Wu Sang. It means it’s a kind of beauty. It shows that I’ve been standing I may stand in four directions. That’s how you look good. This is a starting move. Then we start. Go. Five, six. Okay. Go. Seven. Eight. Did you get it? Yes. Yes, I’ll watch you walk. Go. Three. Four. Five. Six. Seven. Okay, I’ll tell you. For example, look normal. Wearing it from here, there’s a process of hand-piercing. You cross your hands. Come closer. Understand? Let’s do it again. Go. Four. Five. Six. Okay. Good. You don’t have the feeling of opera now. It’s important that you don’t have that look. The spirit of opera The most important thing is Yes, to its eyes. I think we should Move your eyes first. Turn left first. Come back. Turn to the left. Turn to the left. Turn to the left. Come on. Come on. Come on. Next time. We were training for eye contact. The performance of the opera is actually a state of communication with the audience. Let’s practice Show your face. Lift your eyelashes. Then two, start looking, OK? Let’s decide for five seconds before we rest. Why are you laughing? I see myself. I’ll cover you, okay? Come on. Four. Five. One, two, three. One, two, three. One, two, three. One, two, three. One, two, three. One, two, three. Okay, seven. Relax. Eight. Again. Five. Six. Ready. Ready. Seven. Okay. Okay. Okay, relax. OK. OK. Let’s practice one more time. The other is the eyes. For example, those people didn’t see it. He… He has a process of finding it. Okay. Let’s go. Two. Five. Six. Seven. Okay. It’ll be better for the sports type. How about this? Let’s combine the cloud hand we just taught Let me do it first. Look at my eyes. That’s it. Thank you. Ready. Five, six, go. Two. Three. Four. Five. Six. Seven. Very good. Maybe in your impression, I think how I should act. The first stage we need to solve is the freedom of your body. Your body can move you. So our performance requires body, heart and soul. Body is body, heart is soul. In the end, your soul a spiritual world. Because the most important thing for us of a character. Let’s finish it. When you complete a role, we have two tools to use. One is your body. One is your language, right? OK. Come on. Applause first. Go. OK, tell me the number. Six. Seven. Nine. Ten. Eleven. Fourteen. Chase Lee. Eighteen. Twenty. Fourteen, come out. Take everyone Take care of everyone. Just like him. Listen to me, just like him. Fourteen. Just like you. Everyone is like him. How will you learn from him? Number 6. You can go up, down, left, right. Up, down, left, right. Number eight. Sixteen. Don’t drop it, 16. Okay, go back first. Good. Okay. Let’s make a facial expression. Very simple. Everyone knows But in the first round, in the first round. Did I make myself clear? You can’t create it yourself. The first round must be the same. OK. Ready. Pass it to him. Okay, your turn. Stop. EZ, back. Come on. Come out. Okay, the first round. Let’s go. Where are you going to bite? Don’t bite your tongue. OK. Come on. Start from you. Fast. Where are you stretching? Wait, which side are you on? Left. Speed up. Come on. Come on. Come on. Good. Good. You must do it under the premise of your imitation. In the second round, you accept his face first. Then you can transform. Did I make myself clear? In the process of transformation, it’s very likely to reach the body transformation. From the face, in the end, some will change their bodies. When the body transforms, there may be sounds. You might hear something. When you make a sound, you can come out. Okay? Let’s go. Go back. Go on. There’s a sound. When you can’t control yourself, come out. Control it if you can. Go on. You can bite him back. Okay, stop. We practice with funny faces. Zombies. We’re not zombies practicing. Why are we zombies all of a sudden? Listen to me. When we practice making faces, you can’t just do it. You have to feel what you feel. The most afraid of acting is unnecessary feelings. I’m afraid that after you have extra feelings, after you have extra feelings. there will be problems. We need to make a habit. You call it a group. Performing art is a collective art. It creates a atmosphere together. Let’s create the atmosphere together. In other words, whether you are happy or painful. You have to pass it on. The happiest thing is to pass it on. Convey. The person who must deliver must be accurate. You can’t say that when I pass you. I’ll pass it to you So irresponsible. The most important thing is to be responsible. Be responsible for others. Okay. When you can focus and empty everything around you, We care about ourselves quietly. When we pay attention to ourselves, Open your eyes. Open your eyes. Start walking. Keep breathing. You can walk. Speed up. Accept any feeling of the rehearsal hall. Stop. All because of the body because of the body because of running. Let it leak out. The fake you I’m going to get rid of the fake you. Don’t stop. Don’t stop, kids. Keep rolling Don’t stop. Don’t let your body stop. Don’t fall into this emotion. Get out of your body. Now you are free. Cry if you want. Do whatever you want Let’s go. Okay. Okay. Stand up slowly. Stand up slowly. Slowly. Stand up and open your eyes. Okay, take a breath. Relax. You’re crying. They are all so pretty. Now our whole classroom has another atmosphere. Then we slowly into our bodies and then let it out. Actors are crazy. We should do this later. We have to do that. The quality training is also to improve yourselves. all your emotions and emotions. your explosive ability. Okay, gather around. OK. See you. Thank you. Thank you. Goodbye. Okay. Bye. Sir. Come on, clap. You love clapping, right? Yes, let’s end it with clapping. Three, two, one. Thank you. What are you doing? Why are there so many cameras Draw Phoenix on the pink wall Phoenix draws on the pink wall Red Phoenix Pink Pink Phoenix Flower Phoenix Draw Phoenix on the pink wall Phoenix draws on the pink wall Red Phoenix Pink Pink Phoenix Flower Phoenix Draw Phoenix on the pink wall Phoenix draws on the pink wall Red Phoenix Pink Pink Pink Phoenix Flower Phoenix Flower Phoenix Flower Phoenix. Flower Phoenix. 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This round is over. It’s over. The best is Ding Yu Xi’s group. Li Jin. Ready. This one. Ballet. Transform! Pretty girl. What? Sailor Moon! Right. Huang Xin. My head is blossoming. Goose. Chicken. Huang Xin. Duckling. Gosh. Time’s up. It’s great already What? Get ready. Next group. Come on. Two. Breakdown. Excruciating pain Break apart Screaming Pass Dog. Dog barking. Time’s up. Come on. Goat into the tiger’s den. Monkey. Banana. Frog at the bottom. Peacock opens its tail. Open your eyes. 30 seconds left. Big eyes. Big eyes. Change. Robot. Time’s up. Next group. Wait for the rabbit. The head is hanging. This is uneducated. Pass Take a photo. How many words? Secret shot. Time’s up. A wild guess. What do you mean? Egg. Yes. I really don’t understand this. A roller coaster. Four words. Rainbow. Playing roller coaster. Time’s up. What is it? A roller coaster. by Diwiping’s Weekly Clothes. Metropolitan, Joseki, Cha Kebo. Vivia Metropolitan, Metropolitan, Sasuke, Boka You’re so generous. It’s beautiful. It’s beautiful. It’s beautiful. You can’t do this. You can’t do this. Yu Yangyi. The word Yan is Jia Wei, Xiuqian, Lieutenant. The name is Jia Wei, Xiaoqian, the commander of “Tie Han”. It’s beautiful and beautiful. “The beauty of the ocean is beautiful and beautiful.” Ying Tong. Liu Tianchi Workshop. “Chi yue yao yao yao yao yao yuan” “The stone is shining in the wilderness.” New skills. B flat width, several flares, strong and strong. Chang Zhibin is the strongest. To protect Zhi Bin’s master, Qiang Ming. Chengxin, Luck, Luck, Lucky. “Chengxin, Luck, Luck, Luck, Luck, Luck, Lucky.” Jiang Da Hong Liang is brave. Flying Beautiful Army, Lin Lingxue, Braised Qingcheng. Pound. Now Boyangxi British Videl. It’s here. It’s here.